Publication: Anadolu duvar resmi geleneğinde günümüze ulaşamamış Bursa örnekleri
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Date
2024-09-18
Authors
Ötünç, Sevgi
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Bursa Uludağ Üniversitesi
Abstract
Batılılaşma süreciyle birlikte Osmanlı İmparatorluğu’nun değişen mimari siluetine, Batı’dan alınan öğelerin kaynaklık ettiği yeni bir mimari süsleme dili de dâhil olur. Geleneksel kalem işi sanatından nitelik ve içerik olarak farklılaşan bu duvar resimleri, başkent üzerinden şekillenen yeni bir üslup başlatırken eş zamanlı olarak Anadolu’da da kendini gösterir. Anadolu ekolünün en erken tarihli örneğine ev sahipliği yapan şehir ise Bursa olur. Kendi iç dinamikleriyle kendine has şekillenen bu yeni süslemeyi konutlarına ekleyen şehir, gerek günümüze gelmeyen gerek ise günümüze gelebilen yapılarıyla bu geleneğin önemli bir parçasını oluşturur. Bu çalışmada, söz konusu yeni resimleme programının Anadolu geleneğine bağlı olan ve günümüze gelmeyen Bursa yapılarında yer alan duvar resmi örneklerinden bahsedilerek şehrin Osmanlı duvar resmi geleneğindeki yeri değerlendirilecektir.
With the process of Westernization, a new architectural decorative language, influenced by elements borrowed from the West, becomes part of the changing architectural silhouette of the Ottoman Empire. Differentiating themselves from the traditional art of calligraphy in terms of quality and content, initiate a new style shaped through the capital while simultaneously making their presence felt in Anatolia. The city that hosts the earliest example of the Anatolian school would be Bursa. The city, which has added this new decoration, which is uniquely shaped with its own internal dynamics, to its residences, forms an important part of this tradition with its structures that have not survived to the present day or that have survived to the present day. In this study, the place of this new painting program in the Ottoman mural tradition of the city will be evaluated by mentioning the examples of wall paintings in Bursa buildings that are connected to the Anatolian tradition and have not survived to the present day.
With the process of Westernization, a new architectural decorative language, influenced by elements borrowed from the West, becomes part of the changing architectural silhouette of the Ottoman Empire. Differentiating themselves from the traditional art of calligraphy in terms of quality and content, initiate a new style shaped through the capital while simultaneously making their presence felt in Anatolia. The city that hosts the earliest example of the Anatolian school would be Bursa. The city, which has added this new decoration, which is uniquely shaped with its own internal dynamics, to its residences, forms an important part of this tradition with its structures that have not survived to the present day or that have survived to the present day. In this study, the place of this new painting program in the Ottoman mural tradition of the city will be evaluated by mentioning the examples of wall paintings in Bursa buildings that are connected to the Anatolian tradition and have not survived to the present day.
Description
Bu makale, Anadolu Üniversitesi, Sosyal Bilimler Enstitüsü, Sanat Tarihi Anabilim Dalı’nda Dr. Öğr. Üyesi Zeynep Ertuğrul danışmanlığında tamamlanan “17.-20. Yüzyıl Bursa Sivil Mimarisinde Boyalı Nakışlar ve Duvar Resimleri” başlıklı doktora tezinin içeriğine bağlı olarak geliştirilmişti
Keywords
Anadolu duvar resmi geleneği, Bursa, Sivil mimari, Boyalı nakış, Duvar resmi., Anatolian mural painting tradition, Civil architecture, Painted embroidery, Mural painting.