Kaygı. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi

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    Finite vs. absolute knowledge in German idealism: The case of art
    (Uludağ Üniversitesi, 2008) Kassabov, Ognian
    Aesthetics plays a key though often neglected sysıematic role in the philosophies of Kanı, Schelling and Hegel. Their overall projects are nonetheless opposed in some important respecıs: while Kant attempts to secure the limits of human knowledge, Schelling and Hegel try to articulate an actually 'absolute knowledge'. I consider the treatment of art of each of these three figures as elucidating his position on the scope of knowledge. I suggest that the very limited role Kanı allots art is a direct consequence of his limits-of-knowledge position as daiming that we can presuppose but cannot cognize the actuality of the ideas of reason. Art as identity-within-difference gives a model for Schelling's 'absolute idealism', for which art is no subordinate form of cognition. Hegel's treatment of art shows that the highest reconciliation in the idea cannot entirely take place in something outside thinking.
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    Hegel’s ınterpretation of Kant's epistemology
    (Uludağ Üniversitesi, 2013) Çüçen, A. Kadir; Uludağ Üniversitesi
    Kant and previous philosophers in the modern philosophy have inquired into the limit of human knowledge, so the limitation of knowledge is the result of a basic view of the Critical philosophy. According to most of the modern philosophers, before one wants to attempt to know God, the essence of being, etc., he or she must first investigate the capacity of knowledge itself in order to see whether it is able to accomplish such an attempt. Hegel criticizes this view in the Encyclopedia, section 10. He claims that the task to examine knowledge before using it is based on a false analogy with tools. If one does not want to fool oneself with words, it is easy to see that other instruments can be investigated and criticized without using them in the particular work for which they were designed. But the investigation of knowledge can only be performed by an act of knowledge.
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    On Hegel’s concept of the absolute
    (Uludağ Üniversitesi, 2010) Orman, Enver
    The concept of absolute is one of the key concepts in order to understand Hegel’s philosophical system. In the context of Hegelian dialectics the absolute is absolute only if manifests itself in the form of relative and contingent beings. This article discusses Hegel’s conception of the absolute in connection with his Phenomenology of Spirit and Science of Logic.